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	<title>oliviamridge</title>
	<link>https://oliviamridge.com</link>
	<description>oliviamridge</description>
	<pubDate>Fri, 02 May 2025 19:16:20 +0000</pubDate>
	<generator>https://oliviamridge.com</generator>
	<language>en</language>
	
		
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		<title>Home Image Scroll</title>
				
		<link>https://oliviamridge.com/Home-Image-Scroll</link>

		<pubDate>Wed, 16 Oct 2019 16:47:38 +0000</pubDate>

		<dc:creator>oliviamridge</dc:creator>

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		<title>Rotating Logo</title>
				
		<link>https://oliviamridge.com/Rotating-Logo</link>

		<pubDate>Wed, 16 Oct 2019 16:47:39 +0000</pubDate>

		<dc:creator>oliviamridge</dc:creator>

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		<description>&#60;img width="161" height="161" width_o="161" height_o="161" data-src="https://freight.cargo.site/t/original/i/fb47d7dd2f772b813315af3cf23893f9f31890076ad8f84950ddee3b5d2888ee/blue.svg" data-mid="52799472" border="0"  src="https://freight.cargo.site/w/161/i/fb47d7dd2f772b813315af3cf23893f9f31890076ad8f84950ddee3b5d2888ee/blue.svg" /&#62;</description>
		
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		<title>Left-side Navigation</title>
				
		<link>https://oliviamridge.com/Left-side-Navigation</link>

		<pubDate>Wed, 16 Oct 2019 16:47:43 +0000</pubDate>

		<dc:creator>oliviamridge</dc:creator>

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		<description>Olivia Mikolai Ridge

Recent ProjectsCeramics
Mythologies: Pool V

Casting Crime

On earth for a moment with you
Land/Scape 

Past
Projects

University Without Walls Photo Collaboration

This City Is Always, Even When It Isn’t
Touristing the Canadian West
Νάρκισσος

Dust
Lake Louise


Returned

Searching for My Grandmother

Teaching



	The Silver Lining

This is Not a Yearbook

Nineteen Percent Grey


Spectre
Intervening in the Archive&#38;nbsp;


Contact

Bio &#124; CV
Instagram ︎</description>
		
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	<item>
		<title>Casting Crime</title>
				
		<link>https://oliviamridge.com/Casting-Crime</link>

		<pubDate>Tue, 17 May 2022 17:23:46 +0000</pubDate>

		<dc:creator>oliviamridge</dc:creator>

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Casting Crime
2022

As a site of collective image production of fictional policing, television is a repository of public knowledge reproduction depicting state-sanctioned mythologies. In Casting Crime, I investigate the production of contemporary fictional crime television dramas in collaboration with aspiring actors that work as non-union background extras on NBC’s police procedural television show, Chicago PD. Together, we interpret the archetypes of cinematic crime genres and embody desires for representation, reimagining our roles in this city and proposing alternative stories for the screen. In an ongoing workshop and performance for the camera, I ask the actors to interpret this minimal set to explore the question, “who do you want to play?”. 

Through a process of exchange, dialogue, and community building, this collaboration activates the voices from the background to disrupt the power structures of the lens, bringing into focus the stories and desires of people that lend their labor to plotlines. Casting Crime aims to expose the fabrication of law-and-order ideologies and host a space for counter-narratives and dialogues around internalized systems of power and representation.
&#38;nbsp;



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	Audio Interviews with the Actors
	

	




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		<title>eclipse study</title>
				
		<link>https://oliviamridge.com/eclipse-study</link>

		<pubDate>Sat, 08 Jun 2024 16:01:54 +0000</pubDate>

		<dc:creator>oliviamridge</dc:creator>

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		<description>
	“on earth for a moment with you” or “eclipse study”, 2024

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		<title>Land/Scape</title>
				
		<link>https://oliviamridge.com/Land-Scape</link>

		<pubDate>Tue, 09 May 2023 02:09:02 +0000</pubDate>

		<dc:creator>oliviamridge</dc:creator>

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&#60;img width="2400" height="3277" width_o="2400" height_o="3277" data-src="https://freight.cargo.site/t/original/i/dc67d9761d7cb21336c09588fa1e7e4cfbcadae724264a43e70a4977c010abd3/Uncle-Peter.jpg" data-mid="178132794" border="0"  src="https://freight.cargo.site/w/1000/i/dc67d9761d7cb21336c09588fa1e7e4cfbcadae724264a43e70a4977c010abd3/Uncle-Peter.jpg" /&#62;
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&#60;img width="3278" height="2400" width_o="3278" height_o="2400" data-src="https://freight.cargo.site/t/original/i/67e45bad2a2fee71b4a70d1a037fe9dd4ec76fc401ab95125789aff0d15ba9cc/2.jpg" data-mid="178132685" border="0"  src="https://freight.cargo.site/w/1000/i/67e45bad2a2fee71b4a70d1a037fe9dd4ec76fc401ab95125789aff0d15ba9cc/2.jpg" /&#62;
&#60;img width="3278" height="2400" width_o="3278" height_o="2400" data-src="https://freight.cargo.site/t/original/i/0c830e5c2a2a74e3bffc052fe426f26ac7cf821ad86d0dfe52a350f9caaaab02/Italy.jpg" data-mid="178132823" border="0"  src="https://freight.cargo.site/w/1000/i/0c830e5c2a2a74e3bffc052fe426f26ac7cf821ad86d0dfe52a350f9caaaab02/Italy.jpg" /&#62;
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&#60;img width="2000" height="2000" width_o="2000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/6e673971b388889d7ae9b0106b4f34286603e41a4400ab0537c35a9a132f1797/Ceasar-s-Palace--Vegas.jpg" data-mid="178132524" border="0"  src="https://freight.cargo.site/w/1000/i/6e673971b388889d7ae9b0106b4f34286603e41a4400ab0537c35a9a132f1797/Ceasar-s-Palace--Vegas.jpg" /&#62;
&#60;img width="2630" height="2000" width_o="2630" height_o="2000" data-src="https://freight.cargo.site/t/original/i/a54d7791d48481461038e0da196c8cb2f348b0a9bf08cd0ed9412a2213c34d7a/badlands-2-copy.jpg" data-mid="178132753" border="0"  src="https://freight.cargo.site/w/1000/i/a54d7791d48481461038e0da196c8cb2f348b0a9bf08cd0ed9412a2213c34d7a/badlands-2-copy.jpg" /&#62;
&#60;img width="2250" height="1500" width_o="2250" height_o="1500" data-src="https://freight.cargo.site/t/original/i/68ef34c19bab265432ac4f9fbb88a948159dbe703637495b1936382a1dc0a97e/yellowstone-6.jpg" data-mid="178132623" border="0"  src="https://freight.cargo.site/w/1000/i/68ef34c19bab265432ac4f9fbb88a948159dbe703637495b1936382a1dc0a97e/yellowstone-6.jpg" /&#62;
&#60;img width="2048" height="2796" width_o="2048" height_o="2796" data-src="https://freight.cargo.site/t/original/i/32ac1aca28f0980177436bd9ba9c17a346c14367dcafe50b1ee8539a6535306a/West-Virginia.jpg" data-mid="178132917" border="0"  src="https://freight.cargo.site/w/1000/i/32ac1aca28f0980177436bd9ba9c17a346c14367dcafe50b1ee8539a6535306a/West-Virginia.jpg" /&#62;
&#60;img width="1766" height="2412" width_o="1766" height_o="2412" data-src="https://freight.cargo.site/t/original/i/5c78a3642a560191adec76d75e2c0c98c2a6fff63919c469a80b60df02aacb67/000486520005-copy.JPG" data-mid="178132617" border="0"  src="https://freight.cargo.site/w/1000/i/5c78a3642a560191adec76d75e2c0c98c2a6fff63919c469a80b60df02aacb67/000486520005-copy.JPG" /&#62;
&#60;img width="2400" height="3278" width_o="2400" height_o="3278" data-src="https://freight.cargo.site/t/original/i/bdb72a19c1f5dafce6634561e5f695ae5cba2806d4af899a4b3fb9eb703c9943/Hot-springs-Tuscany.jpg" data-mid="178134112" border="0"  src="https://freight.cargo.site/w/1000/i/bdb72a19c1f5dafce6634561e5f695ae5cba2806d4af899a4b3fb9eb703c9943/Hot-springs-Tuscany.jpg" /&#62;
&#60;img width="1363" height="1000" width_o="1363" height_o="1000" data-src="https://freight.cargo.site/t/original/i/e233648d73c391d7dad05dc0c1573199db167bb7208dc54e90e1bab464047b2b/infrared-5.jpg" data-mid="178132990" border="0"  src="https://freight.cargo.site/w/1000/i/e233648d73c391d7dad05dc0c1573199db167bb7208dc54e90e1bab464047b2b/infrared-5.jpg" /&#62;
&#60;img width="1500" height="1276" width_o="1500" height_o="1276" data-src="https://freight.cargo.site/t/original/i/ac0d147c55cc8e0842da21009ea96d85adf93bbef76e469f6f7ea0af3e9cc4be/Grand-Canyon-copy.jpg" data-mid="212563310" border="0"  src="https://freight.cargo.site/w/1000/i/ac0d147c55cc8e0842da21009ea96d85adf93bbef76e469f6f7ea0af3e9cc4be/Grand-Canyon-copy.jpg" /&#62;
&#60;img width="1000" height="774" width_o="1000" height_o="774" data-src="https://freight.cargo.site/t/original/i/d88b62cbc198a882b892874d877ec6c3774b49e0ac7a4fbcf74aa8ad0aabfee7/Ridge_16.jpg" data-mid="178682240" border="0"  src="https://freight.cargo.site/w/1000/i/d88b62cbc198a882b892874d877ec6c3774b49e0ac7a4fbcf74aa8ad0aabfee7/Ridge_16.jpg" /&#62;
&#60;img width="1986" height="1500" width_o="1986" height_o="1500" data-src="https://freight.cargo.site/t/original/i/e60ded89f3dd7e4763d3fe92432c5d28aac11e4bec466001addd77c4d9882a03/bathing1.jpg" data-mid="178132334" border="0"  src="https://freight.cargo.site/w/1000/i/e60ded89f3dd7e4763d3fe92432c5d28aac11e4bec466001addd77c4d9882a03/bathing1.jpg" /&#62;
&#60;img width="2048" height="1499" width_o="2048" height_o="1499" data-src="https://freight.cargo.site/t/original/i/d894c953eec1544683befc6bbebc1cc2170677c3dbf612e729565a817a76ff3b/Photo-Sep-10--5-02-32-PM-2.jpg" data-mid="178132347" border="0"  src="https://freight.cargo.site/w/1000/i/d894c953eec1544683befc6bbebc1cc2170677c3dbf612e729565a817a76ff3b/Photo-Sep-10--5-02-32-PM-2.jpg" /&#62;
&#60;img width="1000" height="828" width_o="1000" height_o="828" data-src="https://freight.cargo.site/t/original/i/8155a0cd8169f94eb691f00f47544125eb2931bbe7503b19189b5028eca90440/My-Brian.jpg" data-mid="178132726" border="0"  src="https://freight.cargo.site/w/1000/i/8155a0cd8169f94eb691f00f47544125eb2931bbe7503b19189b5028eca90440/My-Brian.jpg" /&#62;
&#60;img width="2000" height="1735" width_o="2000" height_o="1735" data-src="https://freight.cargo.site/t/original/i/9d570b541983a90b19f749732c7c45a87dc0ef8b5d3c8310272219581e0a2a10/Vegas-2023-005-positive-copy.jpg" data-mid="212563249" border="0"  src="https://freight.cargo.site/w/1000/i/9d570b541983a90b19f749732c7c45a87dc0ef8b5d3c8310272219581e0a2a10/Vegas-2023-005-positive-copy.jpg" /&#62;
&#60;img width="2400" height="3277" width_o="2400" height_o="3277" data-src="https://freight.cargo.site/t/original/i/86da274d945468a2aaee2e0a125d2df1e426dbd0f5ac398672b144bfa9b64ca3/000556620013_13.jpg" data-mid="178132721" border="0"  src="https://freight.cargo.site/w/1000/i/86da274d945468a2aaee2e0a125d2df1e426dbd0f5ac398672b144bfa9b64ca3/000556620013_13.jpg" /&#62;
&#60;img width="1116" height="1330" width_o="1116" height_o="1330" data-src="https://freight.cargo.site/t/original/i/8278ab994a6f1dd3c55a61781c5b72ad1c2d3f7d3ecb34c6a7cf64c0e8a28f41/Environmental-Portrait---MET-Gala--NYC.png" data-mid="212563247" border="0"  src="https://freight.cargo.site/w/1000/i/8278ab994a6f1dd3c55a61781c5b72ad1c2d3f7d3ecb34c6a7cf64c0e8a28f41/Environmental-Portrait---MET-Gala--NYC.png" /&#62;

Land / Scape 
2019 -








</description>
		
	</item>
		
		
	<item>
		<title>Ceramics</title>
				
		<link>https://oliviamridge.com/Ceramics</link>

		<pubDate>Fri, 02 May 2025 19:16:20 +0000</pubDate>

		<dc:creator>oliviamridge</dc:creator>

		<guid isPermaLink="true">https://oliviamridge.com/Ceramics</guid>

		<description>
&#60;img width="3000" height="2400" width_o="3000" height_o="2400" data-src="https://freight.cargo.site/t/original/i/bc3ac51eafed1b35c5f111c0f3b53c78849049bcd67f50effeb8c2c087940892/Liv---Ceramics-Studio-Graphic-2025-copy.jpg" data-mid="241487609" border="0" data-scale="72" src="https://freight.cargo.site/w/1000/i/bc3ac51eafed1b35c5f111c0f3b53c78849049bcd67f50effeb8c2c087940892/Liv---Ceramics-Studio-Graphic-2025-copy.jpg" /&#62;


	
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/0dc8b3edb6957f1b3d41eb6bb6418ad9e051f97e2b43504a57a87e7556c88212/Pottery-2025-9784.JPG" data-mid="231891416" border="0"  src="https://freight.cargo.site/w/1000/i/0dc8b3edb6957f1b3d41eb6bb6418ad9e051f97e2b43504a57a87e7556c88212/Pottery-2025-9784.JPG" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/b553c4d780783e170d970cf4e7ae029414a2b8a39e9c5ab2a41f8dd15ca3cdba/Pottery-2025-0023.JPG" data-mid="231891540" border="0"  src="https://freight.cargo.site/w/1000/i/b553c4d780783e170d970cf4e7ae029414a2b8a39e9c5ab2a41f8dd15ca3cdba/Pottery-2025-0023.JPG" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/e78dac230915dedc8ba5dca32ad578fdd1d30ba92e68c7558c667ca0df0fc184/Pottery-2025-9702.JPG" data-mid="231891566" border="0"  src="https://freight.cargo.site/w/1000/i/e78dac230915dedc8ba5dca32ad578fdd1d30ba92e68c7558c667ca0df0fc184/Pottery-2025-9702.JPG" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/cd153ed1af23adcf74483a3db72481e948c1f1cc8f56a7fcf00580ae8185dc57/Pottery-2025-9683.JPG" data-mid="231891563" border="0"  src="https://freight.cargo.site/w/1000/i/cd153ed1af23adcf74483a3db72481e948c1f1cc8f56a7fcf00580ae8185dc57/Pottery-2025-9683.JPG" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/e678bf14a88909a72449893479cf6e85947470dd96d3ac2955eedce6c481e170/Pottery-2025-9822.JPG" data-mid="241488099" border="0"  src="https://freight.cargo.site/w/1000/i/e678bf14a88909a72449893479cf6e85947470dd96d3ac2955eedce6c481e170/Pottery-2025-9822.JPG" /&#62;
&#60;img width="1500" height="2000" width_o="1500" height_o="2000" data-src="https://freight.cargo.site/t/original/i/22d7457808961337c83a5a4f500aceb9ffce338b731740832bc722ea0e348f80/Pottery-2025-9725.JPG" data-mid="241488097" border="0"  src="https://freight.cargo.site/w/1000/i/22d7457808961337c83a5a4f500aceb9ffce338b731740832bc722ea0e348f80/Pottery-2025-9725.JPG" /&#62;
&#60;img width="2000" height="1500" width_o="2000" height_o="1500" data-src="https://freight.cargo.site/t/original/i/eb50c926867c04c295cd1370680e36829abc783861b8a2b4689fd6f8a27ad977/CWCW-Residency-0070.JPG" data-mid="241488096" border="0"  src="https://freight.cargo.site/w/1000/i/eb50c926867c04c295cd1370680e36829abc783861b8a2b4689fd6f8a27ad977/CWCW-Residency-0070.JPG" /&#62;






 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;

	






</description>
		
	</item>
		
		
	<item>
		<title>PNAP</title>
				
		<link>https://oliviamridge.com/PNAP</link>

		<pubDate>Thu, 11 Aug 2022 21:08:33 +0000</pubDate>

		<dc:creator>oliviamridge</dc:creator>

		<guid isPermaLink="true">https://oliviamridge.com/PNAP</guid>

		<description>Photo Collaboration University Without Walls Students x Olivia Mikolai Ridge



	

















This
project chronicles collaborative photographs created during a six-month-long
correspondence with Prison + Neighborhood Arts/Education Project University
Without Walls degree students and alumni at Stateville prison. Together, we
considered the value and possibilities of photography as a tool of agency over
one’s own image.
In February 2022, PNAP staff member Jason LaFountain invited me to conduct a
photography-based project with current and former UWW students. While I was a
graduate student at the School of the Art Institute of Chicago, I took Jason’s
class, Visuality, Criminality, and the
Counter-Image, where we studied how photography has served to uphold 
systems of oppression and criminalization. As a photographer, I am invested in
creating the representations that people want of themselves. I was intrigued by
the irony of this invitation: to create photographs, but photographs that
would not include the students’ likenesses. No photography is allowed within
the prison, and, as we were amid the COVID pandemic, I was not able to visit the
students at Stateville. As a result, we utilized photography to reflect on the
disconnection between the inside and outside worlds, and the removal of people
from communities, which is both the ends and means of mass incarceration.
Our correspondence began with me asking the students their feelings about their
State ID photos. As the only photograph I had access to, and the most recent
photo of some students, their unanimous disdain for their State IDs helped give
me a sense of the photographs I wanted to create. In ID photos, the background
is entirely blank. At the outset, I proposed to create a photograph for each
student based on their descriptions of a real or imagined place, to envision
this empty space as one that could be representative of their actual and three-dimensional identities.
I sought to create a photograph that would be useful and meaningful to each
student.
On this website, each photograph is a portal. Clicking on the photo will
lead you to excerpts of our letters that document and explicate the
collaborative progression of the image. The student’s voice is most present
through their written words. Although we met once in person, when I was able to
attend Michael, Daniel, and Reginald’s graduation in October 2022, and once again
over Zoom, our communication was primarily in the form of letters. Jason facilitated
our exchanges by hand-delivering my printed text and their handwritten
responses during a weekly study hall.
Throughout this project, I questioned the value of photography, knowing that
any recreation of a memory or ambition cannot satisfy the real. The resulting
photographs are all fictions in some regard. By following the correspondence,
you can trace the development of the image through the process of exchange,
 experiments, rabbit holes, failures, photo combinations, and post-production.
Collaboration is both limitless and ambiguous. This ethos begins as an open
process, that slowly must find its fuzzy borders of compromise and definition to
come to a result. Our published exchanges lay bare the early ideations and
possibilities as they crystallized into eight final photographs. These letters
refuse the flattening of identity by personifying authorship and annotating
intention. As a collaborator, I have tried to make and bring together images
that showcase the vision most closely described in each student’s writing.&#38;nbsp;Olivia Mikolai Ridge
&#38;nbsp;






Click on photographs for further correspondence&#38;nbsp;
&#60;img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/7b9fa81f2120a72d3ac274304ed99449ed95a19cb5dfce8235adcbc0a809a74e/Michael-10x7.5-sunset-copy.jpg" data-mid="151118216" border="0"  src="https://freight.cargo.site/w/1000/i/7b9fa81f2120a72d3ac274304ed99449ed95a19cb5dfce8235adcbc0a809a74e/Michael-10x7.5-sunset-copy.jpg" /&#62;
	&#60;img width="3600" height="3900" width_o="3600" height_o="3900" data-src="https://freight.cargo.site/t/original/i/cd163bdded5ea54f03aca4e533eb87bb790a5f37e02fa5a8d943d974b66d18f6/Michael-Bell-Text.jpg" data-mid="178088194" border="0"  src="https://freight.cargo.site/w/1000/i/cd163bdded5ea54f03aca4e533eb87bb790a5f37e02fa5a8d943d974b66d18f6/Michael-Bell-Text.jpg" /&#62;

	
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&#60;img width="3000" height="2250" width_o="3000" height_o="2250" data-src="https://freight.cargo.site/t/original/i/8f9fdff59ac2709da39f781109d4349427c30341dbbcb2eafd68fe6b2a25bb5e/Eric-Depaul-Final.jpg" data-mid="151118199" border="0"  src="https://freight.cargo.site/w/1000/i/8f9fdff59ac2709da39f781109d4349427c30341dbbcb2eafd68fe6b2a25bb5e/Eric-Depaul-Final.jpg" /&#62;


	
&#60;img width="3600" height="3900" width_o="3600" height_o="3900" data-src="https://freight.cargo.site/t/original/i/7069b50cc456227fbc3978af9524b12d15bdec45ae0e18ba7e22146166de7586/Eric-Watkins-Text.jpg" data-mid="178199205" border="0"  src="https://freight.cargo.site/w/1000/i/7069b50cc456227fbc3978af9524b12d15bdec45ae0e18ba7e22146166de7586/Eric-Watkins-Text.jpg" /&#62;

Thank you to the Prison + Neighborhoods Arts/Education Project and Jason LaFountain for organizing this space of dialogue and collective creativity. 

</description>
		
	</item>
		
		
	<item>
		<title>This City Is Always</title>
				
		<link>https://oliviamridge.com/This-City-Is-Always</link>

		<pubDate>Sat, 10 Jul 2021 17:56:14 +0000</pubDate>

		<dc:creator>oliviamridge</dc:creator>

		<guid isPermaLink="true">https://oliviamridge.com/This-City-Is-Always</guid>

		<description>
This City Is Always / Even When It Isn’t
2021--


This City is Always/ Even When It Isn’t traces the intersections of voyeurism, violence, and mythology across media landscapes, focusing on the experiences and representations of people in Chicago. 





In the late 19th Century, the New York City Police Department opened its collection of mugshots to the public, in the first Rogues' gallery. For the spectator of the criminal image, the Rogue’s Gallery served as a site to contemplate a “criminal type” and project their own imagination onto the subjects. In my current work, I draw upon connections between the voyeurism inherent in this looking and the obsession with watching fictional violence unfold on television, imagining the cop show as a contemporary Rogues’ gallery. Framing my investigations as detective work, I stalk the filming sets across Chicago. These productions impose a second, fictive city on the physical landscapes of Chicago, which is centered around criminological narratives. 


Expounding on the culture of compulsive binge-watching, I exaggerate the voyeurism of spectatorship to discover how cinematic fiction is created, how it imposes on reality, and is consumed by the public. This living document printed in 4 risograph inks looks toward the background, bringing into focus the stories and desires of people that lend their labor to plotlines. To confront dominant narratives and representations reliant on gendered and racialized stereotypes, I bring together portraits, interviews, risograph printed books, and photographic backdrops that reimagine our roles in this city and propose alternative stories for the screen.



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.
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	<item>
		<title>Touristing the Canadian West</title>
				
		<link>https://oliviamridge.com/Touristing-the-Canadian-West</link>

		<pubDate>Tue, 30 Jan 2018 23:48:28 +0000</pubDate>

		<dc:creator>oliviamridge</dc:creator>

		<guid isPermaLink="true">https://oliviamridge.com/Touristing-the-Canadian-West</guid>

		<description>
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&#60;img width="2500" height="1784" width_o="2500" height_o="1784" data-src="https://freight.cargo.site/t/original/i/41c7d25c3f577d2c185811a93c168f50decd8a92b2f317cab073842d29aa4f9a/rsinbow-moul.jpg" data-mid="28585369" border="0"  src="https://freight.cargo.site/w/1000/i/41c7d25c3f577d2c185811a93c168f50decd8a92b2f317cab073842d29aa4f9a/rsinbow-moul.jpg" /&#62;
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&#60;img width="2048" height="1499" width_o="2048" height_o="1499" data-src="https://freight.cargo.site/t/original/i/5179bb3bf64e99edd774f3f1f2cbce4dbfd173e9af22db919c369c3e0786da9a/Photo-Sep-10--5-04-49-PM.jpg" data-mid="10363303" border="0"  src="https://freight.cargo.site/w/1000/i/5179bb3bf64e99edd774f3f1f2cbce4dbfd173e9af22db919c369c3e0786da9a/Photo-Sep-10--5-04-49-PM.jpg" /&#62;
&#60;img width="2392" height="1800" width_o="2392" height_o="1800" data-src="https://freight.cargo.site/t/original/i/2f64140536cc3d99dc745a062df61be2cb558e624b7d690edca78b2730a95bb9/Screen-Shot-2019-11-18-at-6.38.44-PM.png" data-mid="54930833" border="0"  src="https://freight.cargo.site/w/1000/i/2f64140536cc3d99dc745a062df61be2cb558e624b7d690edca78b2730a95bb9/Screen-Shot-2019-11-18-at-6.38.44-PM.png" /&#62;
&#60;img width="2500" height="1893" width_o="2500" height_o="1893" data-src="https://freight.cargo.site/t/original/i/a9a772c8cec3cb62a98e85576d4af21c6caf80ec28155e099f3ec7cc1f76dc6d/LL-mise-en-scene.jpg" data-mid="28585368" border="0"  src="https://freight.cargo.site/w/1000/i/a9a772c8cec3cb62a98e85576d4af21c6caf80ec28155e099f3ec7cc1f76dc6d/LL-mise-en-scene.jpg" /&#62;


Touristing, inkjet prints, 26 x 34”, 2018-2019



















Touristing explores travel as
a unique space of contact with collective ideals. From my positionality as both an American tourist and profiting
“local guide” at Canada’s most visited places, I reinterpret these collective experiences
and reflect on the connections made between tourist and environment at a time
when our practices of snapshot photography have an ever-growing impact on the
landscape itself. This series shares the repetitive actions of engagement to
consider the way we situate ourselves within romanticized landmarks, reflecting
on the direct impact of imagery comprising the mythology of “going west”.&#38;nbsp; &#38;nbsp;








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